wedding invitations

The Craft Paper Look for Less

IMG_3873

The bride loved the sweet look of craft paper for an outdoor winery wedding but only needed 60 invitations and really wanted to keep a tight budget for invitations. We used Natural Savoy Cotton for a nice textured finish, very similar to craft. Most of our flat cards come on Natural Savoy and the envelopes are a perfect match. To create the small hang tags, I used a 4Bar card and set up the files with two cards that I could cut down after printing 30 originals. Tags_Front

I ran a DIY test print with various craft paper photos to make sure that the color was right and it really looked like craft (to non-designers who wouldn’t inspect the edge of the card to see if it was legit).

This solution is not for the purist, but it’s perfect for a quick turnaround, very affordable white-ink-on-craft-paper-look wedding suite.

IMG_3871

Advertisements

Do you need custom sizes in small quantities? We got you.

We know how designers like to create original everything so now we have an option for that. If you want a non-standard size in a flat, one-sided format in small quantities, our new DIY Sheet with Cutting is for you. DIY

Here’s how to set up files in Illustrator:

  1. Create a 12″ x 18″ document, either landscape or vertical.
  2. Add guides for the print area: 11.5″ x 17″
  3. Create artwork in desired sizes and fit into print area, place all pieces at 90 degree angles, we cannot cut odd angles.
  4. Make a square or rectangle in the size you want, select it, then go to Objects > Create Trim Marks.
  5. If you have color or images that bleed off the edge, expand them to go at least .125″ beyond the trim marks.

Tip: Leave at least a 3/4″ between pieces for best results.

Minimum: 25 sheets, $1.77 per sheet (if you have a wholesale account)DIY_after

DIY Sheets with Cutting is a great option for a set of odd sized cards, wedding place cards, custom sized postcards, disposable coasters and whatever else you creative types can come up with.

can’t. get. enough. shine.

RoseGoldYep, we added more foil options on StationeryHQ.com because we know you’re obsessed. And so are we. You can already order foil with digital printing through our website. Now you can order foil on A7, A2 and 4Bar size without digital printing on:

  • 130#/21pt Environment Wrought Iron Raw Cover
  • 130# Classic Crest Smooth Cover – Epic Black
  • 130# Classic Crest Smooth Cover – Patriot Blue

And since Rose Gold is a smokin’ hot trend, we added that too. It’s perfect for wedding invitations, save the dates, small art prints and party invites. Turnaround time is 5 business days, find pricing here and don’t forget to log in so you see wholesale prices!

Shout out to Brit Tucker for generously sharing her totally fabulous typographic genius with us – thank you!

Guest Post from a Kick Ass Designer

Hello, I’m Melinda Hartz McElroy, founder and creative director of billet-doux. I’ve been dreaming up couture stationery, invitations and wedding suites since 2005. I love telling personal stories through something tangible, tactile and visually stimulating. But, as I was realizing visions for couture clients, I started to wonder, “How do you stay relevant in the broader marketplace?”

So, I decided to do something completely radical – launch my first ready-to-order wedding collection. What a novel idea! Having previously only collaborated with clients on a custom project basis, I threw caution to the wind and designed suites for imaginary brides and grooms. I immersed myself in fresh and current wedding trends and created a comprehensive collection across a variety of style categories.

It’s easy to get caught up in each and every delightful trend happening in our industry right now, but I kept focused with my targeted list of on-trend must-haves. Mixed typography, handwritten fonts, hombre color effect, monograms, polka dots, lace, floral patterns, and rustic and rhinestone details are among them. But, what are my top obsessions these days? [queue music]

brooklyn detail_website

1) All Things Whimsy

Whimsical elements will forever be at the tippy top of my list. At the core of who I am as a person and a designer, I love the element of surprise and the unexpected. The Brooklyn suite is a sharp detour from my typical design aesthetic; yet, it’s ironically my favorite of the collection. Brooklyn is modern yet whimsical, and perfect for the bride throwing an untraditional, offbeat wedding. [I heart that girl!]

Brooklyn Wedding Suite – billet-doux Spring 2015 Bridal Collection  Printed by StationeryHQ

Brooklyn Wedding Suite – billet-doux Spring 2015 Bridal Collection
Printed by StationeryHQ 

2) Glam/Art Deco/Metallic

So, I squeezed three trends in one, but let’s face it – they all go together like peanut butter and jelly. Dare to kick up the glam by adding to something that’s already glamorous in its own right (that’s you, gorgeous bracket die-cut pocket enclosure!)? Selecting a rich metallic color palette and pairing it with mixed typography (another design mainstay) in simple colors creates an added layer of formality. But it’s the gorgeous glam rhinestone embellishment that transports guests of this Gatsby suite back to the Art Deco era.

gatsby details_website

Gatsby Wedding Suite – billet-doux Spring 2015 Bridal Collection Printed by StationeryHQ

gatsby collection_website

3) Dreamy Paper

I find leveraging beautiful paper to be an uber refreshing design tactic. I mean, why reinvent the wheel with every card? Let thoughtful typography or custom monograms punctuate a suite, and rely on fine papers and gorgeous prints to take the lead in setting the tone. Together or on its own, printing on dreamy double thick paper can easily add a lot of impact and take your design to a whole other level. (Thank you, StationeryHQ!)

Petal Wedding Suite – billet-doux Spring 2015 Bridal Collection Printed by StationeryHQ

Juliet Wedding Suite – billet-doux Spring 2015 Bridal Collection Printed by StationeryHQ on double thick card stock; Rifle Paper Co. floral bellyband

petal collection_website

Petal Wedding Suite – billet-doux Spring 2015 Bridal Collection Printed by StationeryHQ

Enjoy my portfolio and billet-doux’s complete 2015 Spring collection at www.couturestationery.com. Keep in touch on Facebook at www.facebook.com/billetdouxinvitations or at melinda@couturestationery.com.

melinda headhsotAbout Melinda McElroy

Melinda Hartz McElroy is founder and creative director of billet-doux. From fêtes to gratitude, billet-doux has been spicing up mailboxes with one-of-a-kind cards since 2005. Melinda is the former National Marketing Director of a multinational billion-dollar accounting and consulting firm. Melinda oversaw marketing and advertising campaigns for 42 offices across the United States.

By pairing clients’ individual style with billet-doux’s unique brand of creativity, Melinda dreams up pieces that even make wallflowers bloom. Whether creating something couture from scratch or selecting from readymade collections, all items are fully customizable without limitations. billet-doux’s service offerings include wedding suites, social and business stationery, party and corporate event invitations, event details, baby announcements and holiday cards.

Color: WTH?

What The Hue? Designers love color. We love love love it. And it makes us want to pull our hair out when we can’t get the color we see on our monitor to match the color we see on paper. There are many variables that affect color: our monitor settings (which will never match our clients settings), the tone of the paper we print on (not all white papers are created equal) and color blindness (for real, 8% of men and .5% of women are color blind). 

Color test on different papers.

Color test on different papers.

Here are some tips to help you get the best results and make peace with what you can’t control.

Let’s start with what you see on your screen. 

– Apple monitors tend to be lighter overall than PC monitors. So if you’re on a Mac and sending digital proofs to someone on a PC, they are likely seeing a darker version. Your only tool for dealing with this is knowledge. Optimize your monitor settings and talk your client through it if they say “it looks dark.”

– RGB will ALWAYS look more intense and pure than printed CMYK. It has to do with RGB colors coming from light and CMYK colors coming from surface material. Here’s a good article for color geeks.

Here’s what we know about color in print:

– Paper can be considered a color. If you choose a natural or ivory stock, you are adding up to 10% yellow to your color mix. For the truest color, pick the brightest white stock. Our brightest whites are the #110 uncoated (it has a cool tone), Savoy (warm tone) and Felt (warm tone).

same CMYK values printed on Savoy White and Savoy Natural

Same CMYK values printed on Savoy White and Savoy Natural

– Uncoated papers will soak up more ink than coated or gloss stocks, giving them a less vibrant appearance. So if you want really bright color on uncoated paper, you gotta saturate it – give it more ink than you think you need.

– CMYK digital printing is not perfect. You won’t get the same result on different days like you might if you used Pantone colors (which are the equivalent of a can of paint). There are only about a million variables that affect digital printing.

For the best results, I have printed my own color swatches (which I update by trend or season) on multiple stocks so I have a good idea of the difference between my screen and my print jobs. I use the DIY product option on StationeryHQ.com so I can fit lots of decent sized color swatches.

My color swatches rank right up there with pictures of my kids in my studio.

My color swatches rank right up there with pictures of my kids in my studio.

If you are designing a stationery suite, try using complementary colors or adding texture into your system to break it up. Matchy-matchy is getting kind of old school and then you won’t be so stressed when your coral invite looks 1% lighter than your coral RSVP card. 

Please post your questions, suggestions or photos of great solutions on our facebook wall, we all appreciate the extra help.

White Ink – how the heck should files be prepared?

You can do some beautiful things with white ink. Whether it’s on kraft or one of our other stocks the effects can be stunning. We already produce quite a few offline orders with white ink and in 2014 we will offer kraft with white ink online…..just don’t ask me for a date yet. Laura Mitzelfelt from www.lmitzdesign.com shared this PDF so you can see how she prepares files for white ink (Thanks Laura). PDF_with_White_Ink_Channel

1. First, you will need to set up your white ink swatch. At the menu at the top, go to Window > Swatches.

White_Ink_StationeryHQ_1
It should bring up this menu: Click on the button to the left of the trash can to create a new swatch. You will want to name the swatch White_Ink (case sensitive), set the color type to Spot Color, and plug in whatever CMYK values you want so you can distinguish your white ink printing from the rest of your design.

The options should look similar to this:

 White_Ink_StationeryHQ_2-300x210

Now, you have set up a spot color for white ink!

2. You can apply this color swatch to any object by selecting the object, and then clicking on the White_Ink color box that was created in your swatch window.

3. If you would like a white ink layer underneath a design (such as light pink text that won’t show well on Kraft stock), then we need to make sure the white ink layer does not knock out the design. To do this, you will need to duplicate the designs that need white ink underneath them and change the color to White_Ink. Make sure that the white ink layers are on top of the actual designs. Then, go to Window > Attributes to bring up another window. Select all of the white ink portions that need to be underneath a design, and then check the box that says “Overprint Fill”. This will ensure that the white ink layer is separate from what is underneath it, and will not knock the design out when the print ready PDF is created.

White_Ink_StationeryHQ_3

4. Once your design is completed, you can save your PDF by going to File > Save and selecting Adobe PDF as the file format. The best settings to use are below:

White_Ink_StationeryHQ_4-300x278